During production, hair stylist Aldo Signoretti was kidnapped by gang members and held for ransom which director Baz Luhrmann paid●Natalie Portman was considered for the role of Juliet, and even flew to Luhrmann's hometown to film scenes with @leonardodicaprio
- Baz decided it looked obscene because she was so short and small compared to the 6 foot tall Leo●While actors were auditioning for Mercutio, Baz decided to make him African-American. The role then went to Harold @haroldperrineau
Perrineau●All the guns in the film are named after types of swords●The Jesus statue that dominates Verona was a visual effect. In reality, it was only 2 feet high●Like most of William Shakespeare's work, the verse of Romeo and Juliet is written in iambic pentameter. Pete Postlethwaite (Father Laurence) is one of thr few who speaks using this meter●The opening gas station encounter took 7 days to film with 2 days of pick-ups in Vera Cruz●The pool hall is called Globe, after the Globe Theatre in London where the play was first performed●At the Capulet masquerade ball, the major characters wear costumes that reflect their personalities: Romeo as a knight, Juliet as an angel, Tybalt as a devil, Capulet as an emperor●Claire Danes wears a wig throughout the movie, and also had a special aquatic wig for her underwater scenes
#Trivia #FilmTrivia #MovieTrivia #FilmFact #FilmFacts #MovieFact #MovieFacts #FunFact
Hard Cash, aka Run For The Money in some regions, is a silly piece of junk, with its low budget passport grasped firmly in hand. Every actor doing the hammy shtick, every pulp B movie cliche present and accounted for. Christian Slater seems to have peppered his career with a bunch of such flicks, and he’s front and centre here as the Robin Hood-esque leader of a buncha’ thieves. He’s a bit of a legend, and goes for one job too many, a job that lands corrupt, scheming FBI Agent Val Kilmer straight in his lap when he lifts some marked bills. Kilmer wants it only to take them down, but a giant piece of the loot for himself and basically is just a greedy bastard, while Slater wants to break even and get away with his crew. It’s okay-ish stuff, decidedly low brow but that’s the arena. Kilmer is actually really fun in a candid, often improvised take, and his description of himself when he gets to little sleep is priceless. The cast is fairly strong, with work from Bokeem Woodbine, Sara Downing, Vincent Laresca, Balthazar Getty, Daryl Hannah, William Forsythe as a nastily racist fence and the late Verne ‘Mini Me’ Troyer as Slater’s most valuable lil’ asset as he can fit in tight spaces the rest of the crew can’t. It’s breezy trash, decent enough for what it is.
1996‘s The Substitute thought of arming schoolteachers with guns a few decades before the thought crossed Trump’s mind, thank you very much, and in movie-land at least it was somewhat successful. Of course, Tom Berenger is the teacher in question here, and he also happens to be a highly trained mercenary who’s just trying to protect his teacher girlfriend (Heat’s Diane Venora) from a raging band of psychotic cholo gangbangers led by Marc Anthony, of all people. It’s a silly premise given all the cheesy bells and whistles the 90’s had to offer, and could almost be considered a cult classic these days. Berenger’s Shale leads a colourful team of badasses including Raymond ‘Tuco’ Cruz (wearing a manbun before it was cool), Richard Brooks, Luis Guzman and volatile William Forsythe, back from a botched mission in Cuba and ready for the next one in urban high school territory. A few forged papers later, he’s a legitimized teacher who steps in for Venora and discreetly investigates who’s responsible for viciously attacking her and running drugs through the school. Not so discreet is the multitude of high powered shootouts that he finds himself in, eventually backed up by his men. I know this is an action film but so frequent are the bullet ridden dust ups that they kind of drown out some of the attempted social satire in deafening commotion. I enjoyed Ernie Hudson’s high school principal who moonlights as a nasty arch villain running the drug syndicate (of course it’s the principal) and Glenn Plummer’s heroic but short lived teacher who’s on Shale’s side of the moral compass. Marc Anthony has always been an incredible actor (see Man On Fire and Bringing Out The Dead) whose talents behind the camera exceed those in the recording studio, and he makes a wicked little street-shit scumbag here. A little less gunplay and a bit more pithy dialogue and tongue in cheek locking horns would have suited this one. Otherwise, it’s a neat little picture. I can’t speak for the sequels that find Treat Williams stepping in for Berenger, but who knows. Oh wow, I just googled it and there’s *three* more sequels with Williams. Not since Michael Gross in Tremors has an actor hijacked a franc